Think what you will about Scientology (and I don't think about it too much), it hasn't by any stretch been in the forefront of the religious right's political anti-gay campaign. So what to make of the call to boycott Hollywood's latest version of "Hairspray" because it stars John Travolta, a prominent Scientologist? What's next, calls to boycott movies with devout Southern Baptists, Mormons or Catholics (which, if you buy the "logic" of this campaign, would actually make more sense)? In fact, the whole thing smacks of a cheap stunt, or at least narrow-mindedness-which, ironically, is what "Hairspray" is dissing.
Travolta, for his part, vehemently denies he (or Scientology) is anti-gay. And John Walters, gay-camp auteur of the original film, is backing him up.
A more legitimate critique of the newest "Hairspray," made by some critics, is that the original 1988 indie film starring the late, famed transvestite "Divine," and the subsequent Broadway incarnation starring Harvey Fierstein (who also cut his performance teeth as a cross-dresser) were in-your-face transgressive. You never doubted that Divine or Fierstein were drag queens playing big mama Edna Turnblad, which expanded the theme of prejudice against those outside the mainstream. Whereas Travolta, the AP's Christy Lemire writes, plays Edna as a woman, not as a drag queen pretending to be a women. "He plays it straight, for lack of a better word, and with a touch of pathos. The joke is completely lost," she laments.
That may or may not be a legitimate critique, but if gay activists and activist-editors feel that way, their beef is with the film's openly gay producers, Craig Zadan and Neil Meron, and not with Travolta-or Scientology.