Some are asking why the Gay and Lesbian Alliance Against Defamation (GLAAD) is targeting gay (and white) comedian/drag performer Charles Knipp, who performs as a black woman on welfare, with too many kids, named Shirley Q. Liquor. Here's Shirley's take on Kwaanza, and here's her skewed commentary on "homosexicals."
Knipp also portrays other large female characters with irreverence, including North Dakota Marge and Betty Butterfield.
The Washington Blade reports that GLAAD's critics, including some still upset over the organization's silence during last year's congressional page scandal (when those making partisan hay over GOP Rep. Mark Foley's interest in former teenage congressional pages freely invoked stereotypes that confused homosexuality and pedophilia), have called into question GLAAD's targeting of Knipp. However:
"We very clearly recognized," [GLAAD head Neil Giuliano] said, "that what we were doing in that case was standing with those organizations and individuals in the African-American community that asked us to take a stand against that racism."...
Giuliano said GLAAD took action this month against the Shirley Q. Liquor routine-an act that's been running for years-partly because he and other gay leaders recently attended a seminar on racism. "The outcome of which made me much more sensitive to when there is an opportunity to stand up against racism, it's important to do so," he said, "even when it may not be the core scope of your work day in and day out."
One can certainly argue whether Knipp's routine is "racist" or whether certain underclass cultural dysfunctions are a fair target for comedy. One might also raise the issue of whether when black comedians Tyler Perry or the often homophobic Eddie Murphy dress up as large black women this, too, is "defamatory." But the larger issue is that GLAAD seems to think that it needs to score points with fellow progressives by using its limited time and resources to attack gays for being "racist," rather than, oh, say, maybe for instance, taking on homophobia in the African-American community (which would, no doubt, run the risk of those progressives labeling GLAAD as "racist").