At the risk of stating the obvious, let me say that Adam Lambert
is going to be just fine.
I'll say it anyway because, barely minutes after Kris Allen was
announced as the "upset" winner of American Idol, my Facebook feed
was loaded with status updates declaring Adam's loss a "hate
crime," with people vowing to take the streets to protest (on the
eve of the anniversary of the White Night riots, no less).
I trust that their histrionics were limited to message boards,
and that the streets are safe from drama. There will soon enough be
events worth marching about.
None of which is to diminish the importance of Lambert's nearly
winning America's blockbuster musical talent competition as a
more-or-less openly gay performer. Sure, it's not DOMA, or DADT, or
ENDA. But if greater issues always displaced lesser ones, there
would be no justification for watching American Idol in the first
place-or for art of any sort.
As for those who think that a contestant's sexuality is nobody's
business, I'll buy that the moment we apply the same standard to
straight performers. Kris Allen's wife, explicitly identified, was
a regular presence. Third-placer Danny Gokey, as we heard
repeatedly, is a widower. Family backstory is standard Idol fare.
But Lambert, as Entertainment Weekly's Mark Harris aptly put it,
"was apparently made by the hand of God and left in a basket
backstage at Wicked."
Should Lambert have beat Allen? Lambert is clearly the more
talented singer and performer, though Allen is not without his
charms.
Lambert is also queer-in the broad sense of that term. Put aside
the internet pictures of him in drag making out with other guys.
Many Idol voters were unaware of such pictures, despite their being
aired, for example, by Bill O'Reilly on Fox News. (O'Reilly did so
under the guise of "Will America have a problem with this?" but
it's hard to believe he wasn't trying precisely to provoke such a
problem.)
Many Idol voters surely also missed Lambert's skillful
non-answers to media questions about his sexuality. ''I know who I
am," he told Entertainment Weekly when asked the gay
question. "I'm an honest guy, and I'm just going to keep
singing.''
But no viewer could miss Lambert's flamboyant costumes, his
outrageous high notes, or his eyeliner. Whatever his romantic
interests, Adam Lambert reads queer. And that's new territory for
Idol. While Clay Aiken, the last gay near-winner, projected
"wholesome," Lambert screams "edgy." (It's a pitch-perfect scream,
held impossibly long, which pierces the audience.)
And that's why, despite Lambert's superior vocal skills, Allen's
victory was unsurprising. American Idol contestants win by getting
the most votes, and the average American doesn't typically vote for
queer. That's part of what makes it queer, after all.
Nonetheless, Lambert seems no less a victor, and I hope he's
basking in his glory right now, eyeliner and all.
He made it to the final round while unabashedly being himself
(in his appearance and performance, if not in direct response to
interview questions). He has solidified his reputation as a
consummate entertainer. He will no doubt go on to have a great
career, far more successful than Allen's, and probably even more
successful than the career he would have had were he constrained by
the packaging that comes with the "Idol" title.
Meanwhile, he has taught America something, if not about gays,
then at least about "queers." He has "mad skills," yes-but he was
also unfailingly polite, consistently expressing gratitude for the
behind-the-scenes folks who developed his arrangements. He
graciously expressed admiration for his competitors, including
Allen. He was edgy, but not off-putting-all of which made it easier
for people to see the main thing: his tremendous talent.
Besides injecting new life into Idol, Lambert also appears to
have changed its culture. Idol has always struck me as a homophobic
show, not just because of the noticeable absence of openly gay
performers, but also because of the juvenile gay innuendo that
regularly takes place between judge Simon Cowell and host Ryan
Seacrest. That innuendo seems to have dramatically decreased this
season-no doubt partly due to Lambert.
It will be interesting to see, now that Lambert must shift his
attention from votes to sales, whether he chooses to talk more
explicitly about his sexuality. I look forward to what he has to
say. But I look forward even more to what he's going to sing.