"Crash" is a film panoramic of racism in LA including the
entertainment industry, with some good performances, yet hardly
groundbreaking in content or style. But that's show biz. At least
"Brokeback Mountain" came out with three awards, including adapted
screenplay and director, with moving speeches by director Ang Lee
and scripters Larry McMurtry and Diana Ossana. I'm also glad Annie
Proulx was there to share in the acclaim.
Philip Seymour Hoffman's impression of Truman Capote was, sorry
to say, way down on my list (I'd have certainly gone with either
Heath Ledger or Joaquin Phoenix). And whereas Reese Witherspoon
appropriately paid homage to Johnny and June Cash in her best
actress speech, Hoffman (as at the Golden Globes) could find not
one word to say about the brilliant but tortured gay man whose life
he rode to Oscar gold. Really, I'm quite disgusted by him.
George Clooney was more than a bit condescending in his defense
of Hollywood's being "out of touch" with America (because tinsel
town, it seems, exists on a higher moral plane). That's the
attitude that plays well in the blue states but ensures liberals
won't be making inroads in the red states.
Jon Stewart, by the way, was a lot better than I had expected.
Not exactly exciting , but occasionally clever and not
(like Whoopi Goldberg) politically insufferable.
More. Reader "Jessup" writes:
Crash was the safe liberal choice-guilty Hollywood navel-gazing
about how racist they all are in LA and in "the industry." Few
people bothered to see it.
Brokeback is a modern classic.
...Steve was right; Hollywood is homophobic, and as he said
before, they only like their queers when they have plenty of
"swish." Absolutely. Steve don't be afraid to speak the truth!
Thanks for saying it for me.
Still more. Tom Shales
writes in the Washington Post:
Film buffs and the politically minded, meanwhile, will be
arguing this morning about wither the Best Picture Oscar to "Crash"
was really for the film's merit or just a copout by the Motion
Picture Academy so it wouldn't have to give the prize to "Brokeback
Mountain," a movie about two cowboys who fall reluctantly but
passionately in love."
"Mountain" won the major awards leading up to Best
Picture....But the Academy ran out of love for the film at that
point, making "Crash" the suprise winner.
And here's Charles Krauthammer's
comment about "Syriana," which seems applicable to "Crash" as
well:
[Y]ou have no idea how self-flagellation and self-loathing pass
for complexity and moral seriousness in Hollywood.
That about sums it up.
Ye gads, still more. Blogger Tim Hulsey shares
his thoughts.
What strikes me about this nasty National Review poke
at "Brokeback" is just how lame it is. When it comes to hate humor,
the hard right is even less funny than the hard left.