Think what you will about Scientology (and I don't think about
it too much), it hasn't by any stretch been in the forefront of the
religious right's political anti-gay campaign. So what to make of
the call
to boycott Hollywood's latest version of "Hairspray" because it
stars John Travolta, a prominent Scientologist? What's next, calls
to boycott movies with devout Southern Baptists, Mormons or
Catholics (which, if you buy the "logic" of this campaign, would
actually make more sense)? In fact, the whole thing smacks of a
cheap stunt, or at least narrow-mindedness-which, ironically, is
what "Hairspray" is dissing.

Travolta, for his part, vehemently
denies he (or Scientology) is anti-gay. And John Walters,
gay-camp auteur of the original film, is backing him up.
A more legitimate critique of the newest "Hairspray," made by
some critics, is that the original 1988 indie film starring the
late, famed transvestite "Divine," and the subsequent Broadway
incarnation starring Harvey Fierstein (who also cut his performance
teeth as a cross-dresser) were in-your-face transgressive.
You never doubted that Divine or Fierstein were drag queens playing
big mama Edna Turnblad, which expanded the theme of prejudice
against those outside the mainstream. Whereas Travolta, the AP's
Christy Lemire
writes, plays Edna as a woman, not as a drag queen pretending
to be a women. "He plays it straight, for lack of a better word,
and with a touch of pathos. The joke is completely lost," she
laments.
That may or may not be a legitimate critique, but if gay
activists and activist-editors feel that way, their beef is with
the film's openly gay producers, Craig Zadan and Neil Meron, and
not with Travolta-or Scientology.